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Cascades, the rich UI development platform for the development of BlackBerry apps.

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MIT Creates Tech For Moving Files Across Devices With A Swipe

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SWŸP—PRONOUNCED “SWIPE”—LETS USERS DRAG FILES FROM ONE DEVICE TO ANOTHER, JUST BY SWIPING THEIR FINGER. AND IT ISN’T JUST A COOL IDEA. IT’S REALITY.

Last week, we reported on a cool, if seemingly far-fetched, UI concept that’d let you drag files from your phone to your computer with a swipe of the finger. The idea is “so simple and clever, you wonder why it doesn’t exist already,” we wrote. Hours later, an email appeared in our inbox, subject line: “it exists!”

LIST AND LINDER EXPLOITED THE CAPABILITIES OUR DEVICES ALREADY HAVE.

The message came courtesy of Natan Linder, a PhD student in the Fluid Interfaces group at the MIT Media Lab. Linder and undergraduate researcher Alexander List are developers of Swÿp, a piece of open-source software that facilitates “cross-app, cross-device data exchange using physical ‘swipe’ gestures,” they write on their website. “Our framework allows any number of touch-sensing and collocated devices to establish file-exchange and communications with no pairing other than a physical gesture.” Translation: Dragging files from a phone to a computer with a swipe of the finger isn’t just a cool, far-fetched idea, it’s reality. Watch the demo:

Here’s the amazing part: They didn’t hack the iPhone and iPad with IrDA transceivers or anything like that, which would’ve enabled the devices to detect each other in 3-D space, a la Sifteo cubes. Instead, List and Linder exploited the capabilities the devices already had.

Swÿp gathers information such as your phone and iPad’s approximate location (available via WiFi) and account details (via sites like Facebook or Gmail), then ties that information to a real-time gesture, the swipe (or Swÿp). Hold up two Swÿp-enabled devices next to each other, and they’re able to communicate in a language both understand: a hybrid of the digital and physical worlds.

SWŸP TAKES THE MYSTERIOUS PROCESS OF SHARING DATA AND EXTERNALIZES IT.

Why should we care? For one thing, it’s a hell of a lot easier to transfer files that way. I’d rather share a photo with a friend sitting next to me by dragging my finger across our screens than slog through a bunch of steps to send it via Dropbox, YouSendIt, or email. In a larger sense, Swÿp takes the mysterious computational process of sharing data—something we do all the time but never see—and externalizes it, giving it a tactile, intuitive interface. It allows users to “immediately grasp the concepts behind device-to-device communications,” Swÿp’s developers says.

“It’s a very smart way to use existing devices without any added technology,” says Ishac Bertran, who developed the UI concept we reported on last week. Though he points out that Swÿp doesn’t enable a completely seamless user interaction. For instance, he says, after swiping to create a connection between two gadgets, you can’t change their position, or they’ll lose their spatial link. A device equipped with spatially aware sensors, as Bertran envisions it, wouldn’t have that problem.

List started Swÿp, then Linder jumped on board. Linder was a member of the Media Lab’s LuminAR project, a desk lamp that can turn any surface into an interactive space (such as a guide for shoppers), and saw Swÿp as a “great fit with the stuff I was working on.”

Swÿp can be used for iOS and LuminAR, but it’s still part of ongoing research, so it’s not available in app form yet. “Our hope is that developers would jump in and contribute to the open-source project, make it better and that app makers will incorporate it into their apps making them Swÿp enabled,’” Linder says.

Swÿp and Luminar at work.
WE ARE STILL EARLY ON AND THERE IS LOTS TO DO TO FULFILL OUR VISION.

List and Linder picture a world in which the cumbersome process of sharing digital information with your neighbor is replaced by simple physical gestures. They’ve tried marrying Swÿp and LuminAR to create a new type of experience that lets users collaborate and create digital content together. “Most recently we’ve been deploying a website wherein any Internet-connected device would be able to Swÿp with any other,” Linder says. “Our target is everyone who uses touch- and gesture-enabled devices, counting laptops and iPads, but also screens with a Kinect setup. But we are still early on, and even though we demonstrated the working tech, there is lots to do to fulfill our vision of different devices chatting to each other using nothing but user-generated gestures.”

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Watch This Ingenious UI Idea, For Dragging Files From Your Phone To Computer

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THIS CONCEPT BY ISHAC BERTRAN IS SO SIMPLE AND CLEVER THAT YOU WONDER WHY IT DOESN’T EXIST ALREADY.

A few weeks ago, Ishac Bertran wanted to pluck some articles from his web browser and slip them into his Kindle to read later (and more comfortably), but he was so daunted by the labyrinthine process of transferring data, he decided to skip it altogether. We’ve all been there in our own way.

“Our devices are well connected virtually, through services like DropBox or iCloud,” Bertran, an interaction designer, tells Co.Design in an email. “Those offer wireless synchronization for data, but the devices that contain this data still miss a tangible connection. I thought that a representation of a physical connection would facilitate a more intuitive interaction based on traditional mental models from the physical world.”

In other words: Transferring data really isn’t all that complicated. It’s just a few swipes or clicks of the mouse. But because it takes place behind the scenes—that is, we don’t see our files physically move from one device to the next—it feels difficult.

So Bertran tried to imagine a more natural interface, one that would help demystify the whole process by giving it a visual and tactile component.

As he conceptualizes it, users would hold their devices next to each other, and a half moon would materialize on each screen, together forming a full moon. That full moon visualizes the link between your hardware; it says, quite simply, “Your devices are now connected. Transfer away.”

Then to share a file, you’d drag it from one half moon to the other, using the swipes and pinches with which we’ve all grown familiar on iPads and iPhones. Here’s a nice animation of the idea:

Easy-peasy, right?

Bertran was inspired by spatially aware devices such as Sifteo Cubes, which turn user commands into jolts, tilts, and clicks, thus giving tactile form to invisible computational processes.

Of course, for Bertran’s moon concept to become a reality, the Apples and Amazons of the world would have to seriously revise their devices. As it stands, you can’t just hold your Kindle up to your MacBook and start swiping willy-nilly.

But Betran insists that new hardware wouldn’t be terribly hard to integrate: “Sifteo cubes use IrDA transceivers to detect other cubes,” he says. “Something similar could be placed in forthcoming devices to create this tangible connection. For the proposed interaction there is no need to detect other devices all around a device frame. It’s enough to have a particular position in which the devices physically recognize each other to enable more fluent and intuitive interactions.”

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iPhone Diorama. Rendered in Vray. Done with Maya, After Effects, Pftrack. The footages were shot with Cannon T2i.

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Real-time Facebook 'likes' displayed on Brazilian fashion retailer's clothes racks

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fashion like

Fashion retailer C&A may be a fading brand in much of Europe, but its Brazilian arm is doing what it can to stay on the pulse of social media. A new initiative called Fashion Like allows people to ‘like’ certain items of clothing on the company’s Facebook page, and these clicks are collated and displayed on the relevant clothes rack in real-time. Customers are thereby able to view the item’s online popularity in the real world to help them make their decision.

It’s open to debate how valuable this will be to shoppers — we’ve seen the trivial natureof much that’s posted to Facebook, not to mention the dubious fashion sense of certain denizens, and it probably wouldn’t be hard to game the data. For terminally indecisive Brazilians, however, this seems like it could be a step forward.


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Facebook's Numbers

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I like to look at raw numbers every once in a while, without external influence, to recalibrate my ability to judge the magnitude of things. Here are some of the numbers from Facebook’s most recent S-1 filing (published on May 3rd) which I think are important as metrics to compare against when thinking about relative success and opportunity. (Sources are at the bottom.)

Total users and engagement

125,000 M Friendships
2,000 M Likes per day
1,000 M Comments posted per day
901 M Monthly active users
526 M Daily Active users
488 M Monthly active mobile users
302 M Photos uploaded each day

User penetration

85% Chile, Turkey, and Venezuela
60% India, the United Kingdom and the United States
30%-40% Brazil and Germany
20% Japan, Russia, and South Korea
0% China

Daily active users

526 M Worldwide total
152 M Europe
129 M US & Canada
126 M Rest of the world
119 M Asia

Monthly active users

901 M Worldwide total
242 M Rest of the world
241 M Europe
230 M Asia
188 M US & Canada

Revenue (last quarter)

$1,058 M Worldwide total
$525 M US & Canada
$328 M Europe
$118 M Asia
$87 M Rest of the world

82.42% Revenue from advertising
17.58% Revenue from payments (and other)

15% Revenue connected to Zynga

Ages of Facebook directors and officers

27 Mark Zuckerberg, Chairman and CEO
37 Mike Schroepfer, VP Engineering
39 David Fischer, VP Marketing
40 Marc Andreessen, Director
42 Sheryl Sandberg, Chief Operating Officer
42 David A. Ebersman, Chief Financial Officer
44 Theodore Ullyot, VP & General Counsel
44 Peter Thiel, Director
50 James Breyer, Director
51 Reed Hastings, Director
66 Erskine Bowles, Director
66 Donald Graham, Director

Executive compensation in 2011 (cash+stock)

$30,957,952 Sheryl Sandberg, COO
$24,804,472 Mike Schroepfer, VP Engineering
$18,761,293 David Ebersman, CFO
$7,082,294 Theodore Ullyot, VP, General Counsel
$1,712,362 Mark Zuckerberg, CEO

Board member compensation in 2011

$618,067 Marc Andreessen
$610,067 Erskine Bowles
$16,667 James Breyer
$16,667 Donald Graham
$16,667 Reed Hastings
$16,667 Peter Thiel

Ownership after IPO

23.550% Mark Zuckerberg
7.632% James Breyer (and Accel Partners)
6.253% Dustin Moskovitz
4.912% DST Global Limited
3.258% Sean Parker
2.109% Mail.ru
1.729% Peter Thiel
1.660% Elevation Partners
1.560% Meritech Capital Partners 
1.387% Greylock Partners
1.227% Microsoft Corporation
0.309% Marc Andreessen
0.201% Mark Pincus
0.112% David Ebersman
0.107% Mike Schroepfer
0.095% Theodore Ullyot
0.089% Sheryl Sandberg

Frequency of words appearing in S-1

404 Users
169 Mobile
124 Payments
38 Zynga
34 Microsoft
32 Games
18 Phone
14 Google
6 iOS
4 Android
2 Apple

Sources: All numbers are from Facebook’s most recent S-1, filed on May 3rd, 2012. Ownership percentages: Page 145, and calculated based on the number of beneficially owned shares against 2,138,085,037 total expected outstanding shares after the offering. Disregarded voting difference between Class A and Class B shares. Ages of Facebook directors and officers: Page 108. Executive compensation in 2011: Page 125. Board member compensation in 2011: Page 114. Ownership after IPO: Page 141. Total users and engagement: Page 2. User penetration: Page 48-49. Monthly active users: Page 48. Daily active users: Page 49. Revenue: Page 51.

Disclosure: I am considering purchasing Facebook stock after the IPO.

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Square Register is the simplest way to accept credit card payments, and has all the features you need to create an elegant experience at your counter. https://squareup.com/register

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Color Psychology and Marketing Business, Sales and the World Wide Web Are In Color

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Color is a meaningful constant for sighted people and it’s a powerful psychological tool. By using color psychology, you can send a positive or negative message, encourage sales, calm a crowd, or make an athlete pump iron harder.

Employ the latest color psychology in all facets of marketing and particularly in logo design, web site design, the cover of a book, or the package of a product.

The field of industrial psychology has a sub-field that studies only the psychology of color. It is no accident that Campbell’s soup has used the same four colors on their labels for years and years. When I mentioned that product, I’ll bet an image of that label popped into your head.

Below is a quick overview of the meaning of basic colors in the Western Hemisphere. This information will help you decided what colors to use in your marketing projects. The psychology of color changes with lighter or darker shades of the colors below are often associated with much different meanings. And remember for the World Wide Web, and different cultures have differing views on the meaning of color.

Psychology of Color: Black

Black is the color of authority and power, stability and strength. It is also the color associated with intelligence (doctorate in black robe; black horn rimmed glasses, etc.) Black clothes make people appear thinner. It’s a somber color sometimes associated with evil (the cowboy in the black hat was almost always the “bad guy”). In the western hemisphere black is associated with grieving. Black is a serious color that evokes strong emotions; it is easy to overwhelm people with too much black.

Psychology of Color: White

For most of the world this is the color associated with purity (wedding dresses); cleanliness (doctors in white coats) and the safety of bright light (things go bump in the night … not the bright sunshine!). It is also used to project the absence of color, or neutrality. In some eastern parts of the world, white is associated with mourning. White associated with creativity (white boards, blank slates). It is a compression of all the colors in the color spectrum.

Psychology of Color: Gray

Gray is most associated with the practical, timeless, middle-of-the-road, solid things in life. Too much gray leads to feeling mostly nothing; but a bit of gray will add that rock solid feeling to your product. Some shades of gray are associated with old age, death, taxes, depression or a lost sense of direction. Silver is an off-shoot of gray and often associated with giving a helping hand, strong character (sterling in-fact!).

Psychology of Color: Red

If you want to draw attention, use red. It is often where the eye looks first. Red is the color of energy. It’s associated with movement and excitement. People surrounded by red find their heart beating a little faster and often report feeling a bit out of breath. It’s absolute the wrong color for a baby’s room but perfect to get people excited. Wearing red clothes will make you appear a bit heavier and certainly more noticeable. (Some studies show red cars get more tickets but that maybe because the red car owners drive faster or the ticket giver notices the movement of the red car more prominently). Red is not a good color to over use but using a spot of red in just the right place is smart in some cases (one red accent in a otherwise neutral room draws the eye; a red tie with a navy blue suit and white shirts adds just the right amount of energy to draw the eye (no wonder it’s the “uniform of the day” at the seats of government). Red is the symbol of life (red blooded life!) and, for this reason, it’s the color worn by brides in China. Red is used at holidays that are about love and giving (red roses, Valentines hearts, Christmas, etc.) but the true color of love is pink. Pink is the most calming of all colors — often our most dangerous criminals are housed in pink cells as studies show that color drains the energy and calms aggression. Think of pink as the color of romance, love, and gentle feelings, to be in the pink is to be soothed.

Psychology of Color: Blue

Ask people their favorite color and a clear majority will say blue. Much of the world is blue (skies, seas). Seeing the color blue actually causes the body to produce chemicals that are calming; but that isn’t true of all shades of blue. Some shades (or too much blue) can send a cold and uncaring message. Many bedrooms are blue because it’s calm, restful color. Over the ages blue has become associated with steadfastness, dependability, wisdom and loyalty (note how many uniforms are blue). People tend to be more productive in a blue room because they are calm and focused on the task at hand. Some studies are showing that weight lifters can lift more weight in a blue gym - in fact, nearly all sports are enhanced in blue surroundings.

Psychology of Color: Green

The color of growth, nature, and money. A calming color also that’s very pleasing to the senses. Dark forest green is associated with terms like conservative, masculine and wealth. Hospitals use light green rooms because they too are found to be calming to patients. It is also the color associated with envy, good luck, generosity and fertility. It is the traditional color of peace, harmony, comfortable nurturing, support and well paced energy.

Psychology of Color: Yellow

Cheerful yellow the color of the sun, associated with laughter, happiness and good times. A person surrounded by yellow feels optimistic because the brain actually releases more seratonin (feel good chemical in the brain) when around this color. It is the color associated with optimism but be careful with yellow, when intense, it is the color of flames and studies show babies cry more in (bright) yellow rooms and tempers flare more around that color too. It has the power to speed up our metabolism and bring out some creative thoughts (legal tablets are yellow for good reason!). Yellow can be quickly overpowering if over-used, but used sparingly in the just the right place it can be an effective tool in marketing to greater sales. Some shades of yellow are associated with cowardice; but the more golden shades with the promise of better times.

Psychology of Color: Orange

The most flamboyant color on the planet! It’s the color tied most this fun times, happy and energetic days, warmth and organic products. It is also associated with ambition. There is nothing even remotely calm associated with this color. Orange is associated with a new dawn in attitude.

Psychology of Color: Purple

What color were the robes of kings and queens? Yes, they were purple, our most royal color that is associated with wealth, prosperity, rich sophistication. This color stimulates the brain activity used in problem solving. However, when overused in a common setting it is associated with putting on airs and being artificial/ Use purple most carefully to lend an air of mystery, wisdom, and respect. Young adolescent girls are most likely to select nearly all shades of purple as their favorite color.

Psychology of Color: Brown

This color is most associated with reliability, stability, and friendship. More are likely to select this as their favorite color. It’s the color of the earth itself “terra firma” and what could represent stability better. It too is associated with things being natural or organic. Caution however, for in India it is the color of mourning.

Basics on How to Use Color Together

Color psychology is complicated field of study and goes deep into the meaning of combining colors for a particular desired effect. We will broad brush some basics that may well enough for you to make good color choices for a web site with marketing in mind.

Monochromatic Color Scheme This is the use of a single color in varying shades. This can be a clean and interesting look on a web site. It’s soothing and pleasing to the eye especially in the blue or green hues.

Complimentary Color Scheme This is using high contrast of color by selecting colors directly opposite from one another on the color wheel (such as pink and lime green). This puts a warm color with a cool color and is pleasing to the eye.

Triple Color Scheme This scheme uses three colors equally spaced from each other around a color wheel. It’s popular with web designers and allows for a harmonious color scheme.

You ARE that first flash of color seen on your web site it’s important to remember that color is the first thing registered by a person who goes to your web site. It that is pleasing, they will read on — if it’s displeasing you may lose them in a nano second. So first select your background color and then select two other colors for your web site. Remember to keep in mind the meaning and harmony of colors. 

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